Not a moment passes without its interest as we meet Jocelyn (who raises Rhodesian Ridgebacks) her best friend since girlhood, Sylvia (née Sanchez) Sylvia’s daughter Allegra, an artist who’s now 30 and a lesbian high-school French teacher, Prudie, 28 and flighty the talkative Bernadette, turning 67 and the oldest and the only man, Grigg Harris, unmarried, in his 40s, new to the neighborhood-and a science-fiction buff who’s never read Jane Austen. BOMC, Doubleday Book Club, Literary Guild featured alternate.The estimable Fowler ( Sister Noon, 2001, etc.) offers a real delight as she follows the lives of six members of a book club. , Linux and "a rug that many of us recognized from the Sundance catalog." Though the 21 pages of quotations from Austen's family, friends and critics seems excessive, the novelty of Fowler's package should attract significant numbers of book club members, not to mention the legions of Janeites craving good company and happy endings. She's also an enthusiastic consumer of popular culture, offsetting the heady literary chat with references to Sex and the City Like Austen, Fowler is a subversive wit and a wise observer of human interaction of all stripes ("All parents wanted an impossible life for their children-happy beginning, happy middle, happy ending. The book club's conversation is variously astute, petty, obvious and funny, but no one stays with it: the characters nibble high-calorie desserts, sip margaritas and drift off into personal reveries.
As they debate Marianne's marriage to Brandon and whether or not Charlotte Lucas is gay, they reveal nothing so much as their own "private Austen(s)": to Jocelyn, an unmarried "control freak," the author is the consummate matchmaker to solitary Prudie, she's the supreme ironist to the lesbian Allegra, she's the disingenuous defender of the social caste system, etc. The plot here is deceptively slim: five women and one enigmatic man meet on a monthly basis to discuss the novels of Jane Austen, one at a time. ) features her trademark sly wit, quirky characters and digressive storytelling, but with a difference: this one is book club–ready, complete with mock-serious "questions for discussion" posed by the characters themselves.
Fowler's fifth novel (after PEN/Faulkner award finalist Sister Noon
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